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The Concept of Norm and Normative in the Society The Power of the Ordinary

The Concept of Norm and Normative in the Society The Power of the Ordinary Introduction: Through the Prism of the Social Standards The aspect of norm and normative in the modern society has become a considerably questionable issue because of the culture diversity on the one hand and the freedom of self-expression on the other one.Advertising We will write a custom critical writing sample on The Concept of Norm and Normative in the Society: The Power of the Ordinary specifically for you for only $16.05 $11/page Learn More Therefore, I would like to bring into discussion the manner in which Butler interpreted the idea of norm and normality and the way author related it to power in her work (Butler, p. iii, para. 2). Analyzing the methods the author used to draw the line between the normal and the abnormal, as well as to determine the impact which the power had on people’s judgments concerning what is normal and what is not, one can possibly realize that there is a distinct connection between Butler’s and Foucaultâ€℠¢s ways of reasoning and see what choices Butler makes. Therefore, the question is, whether the social norms as interpreted by the genealogical concepts can be shaped and changed, as well as how they can be categorized in the society. In addition, I find it important to learn whether what is considered a norm is predetermined by the natural or the social aspects. Concerning the Methods: The Chosen Pathway Obviously relating to the archaeological concept developed by Foucault, Butler’s idea concerning the norms as the power that makes people who deviate from the â€Å"norm† to be â€Å"misrecognized or remain unrecognizable precisely because they exist at the limits of established norms for thinking embodiment and even personhood† (p. iii) touches upon the problem of what normality is and by what factors the given concept is shaped. It is obvious that Butler comprises the idea of the â€Å"normality† shaped by Foucault, yet the fact that the author bases t he issue of normality on the â€Å"powerful logics† (Butler, p. iii) of the humankind raises the question whether.Advertising Looking for critical writing on social sciences? Let's see if we can help you! Get your first paper with 15% OFF Learn More Butler presupposes that the social values and standards can be changed by the â€Å"majority power.† Moreover, since Butler recognizes the â€Å"dynamics of power† (Butler, p. iii), I would like to know if Butler actually admits that the idea of â€Å"normality† can shape and change, bringing what used to be the lowest common denominator of morality to the golden standard of the future. On the Values: Foucault’s Vision, Butler’s Interpretation When claiming that structuralism helps to understand and recognize the forms of gender that are considered less possible than the others, as well as why they are, Butler actually gives reasons to believe that the archaeological struc ture of the society can change from a certain model of behavior to diametrically opposite. Thus, it is reasonable to suppose that Butler also touches upon Foucault’s concept of â€Å"ditto† in the given excerpt. Expanding Foucault’s theory, Butler conveys the idea that the aspects of power and normality are closely intertwined in the society. Conclusion: A Norm Stretched Beyond Its Boundaries Therefore, it must be admitted that the essence of a norm shapes together with the standards of the epoch. The latter are, in their turn, shaped and enhanced by the power of the majority mentioned by Foucault. Hence, I believe that the standard and what is thought to be â€Å"unbelievable† are bound to co-exist in the society, since the former and the latter can switch places according to the power that is currently shaping the society behavior model. Butler, Judith. Performativity, Precarity and Sexual Politics. Berkeley, CA: University of California, 2009. Print.

This research can focus on any historical topic related to the Essay - 1

This research can focus on any historical topic related to the course.that is, on any topic covered in class or in your dossie - Essay Example The second section will focus on how 1930s cinema, pre-code, portrayed women as having to choose between a career and love. Section 3 will look at the role of women in 1930s film and theorise that some women, notably Norma Shearer, could transcend stereotypes. Finally, I will explore how women’s roles in the cinema evolved from the beginning to the end of the Depression, and section 4 will examine criticisms of women in 1930s cinema and Section 5 will be a conclusion. Annotated Bibliography Berry, S. (2000). Screen style: Consumer fashion and femininity in 1930s Hollywood. Minneapolis: University of Minnesota Press New. This book will be useful in assessing impact of the 1930s films as it details how Greta Garbo, Joan Crawford and Marlene Dietrich influenced women filmgoers as role models of self-determination, and shows why the public is fascinated with these strong-willed women and others. Dawson, J. E. (1995). Hollywood’s image of the working woman. Las Vegas: Univer sity of Nevada. This dissertation will facilitate to explore the roles, which women have taken on the silver screen, how women are portrayed, and psychological aspects and influence of films to women. Feuer, J. (1993). The Hollywood musical. Bloomington: Indiana University Press. This book will assist in understanding of the origin and evolution of the Hollywood musical, as well as how it has affected society over the years, especially the chapter ‘Dream worlds and dream stages’, which details how Hollywood musical provided audience with escapist entertainment from the difficulties of war and depression faced in 1930s. Kolbjornsen, T. K. (1998). ‘Dansingi Hollywood: punktnedslagi film-musikalenshistorie’, dissertation, Villanova University, Philadelphia, PA. This dissertation explores musical film aesthetically and how spectators are transformed by the experience of watching these Hollywood musicals such as Busby Berkeley shows in the 1930s, and an explorat ion of dance as an aesthetic sign and discussion on how women are transformed into kinetic ornaments. Lovasz, K. (2007). Technologies of self-presentation: Women’s engagement with mediated representation from the era of silent film to the Internet age. dissertation, Princeton University, Princeton, NJ. In this dissertation, Lovasz explores identity theory, which explains how women relate to patriarchal culture, by exploring a woman’s imagined and virtual cultural experiences, including those of film. Davies, C. (1988). New women, new culture: The Women’s Weekly and Hollywood in Australia in the early 1930s. Dissertation Brisbane: Griffith University Press. This book is very important in this research as it explores how the new woman, from the period after the censorship policy came into play, came to be and how she affected culture, including how women were portrayed on the silver screen, and it examines how the Hollywood portrayal of women in the 1930s affected women in Australia. Siegel, M. B. (2009). ‘Busby Berkeley and the projected stage’, Hudson Review, vol. 62, no. 1, pp. 106–114. In this article, Siegel discusses some of the films of Busby Berkeley, a filmmaker of the 1930s who pioneered dance movies, which reveals his projected dance dreams; therefore, it will assist in assessing 1930 films. Streb, J. L. (2004). Minna Citron: A socio-historical study of an artist’s feminist social realism in the 1930s. University Park: Pennsylvania State University. This dissertation